Since my first book (Jeremiah
Stone) has just come out, I’ve been writing and editing like the energizer
bunny. In fact I’m in the middle of editing two books while also writing two
other books. It’s a bit daunting and maybe a little more than I can handle
effectively, but for some reason I can’t help it. And neither can I help the
smile I get when someone comments on my book, good or bad.
I’m sure everyone has heard of the phrase Opinions are like assholes, everybody has
one. Now let me assure you that in my youth everybody’s opinion of me I
took to heart and most of the time I was either devastated or angered by it.
Since then I’ve grown up and realized I don’t have to take everything someone
says so critically, but rather use their opinion as more of an outside view of
who I am. Whether I take it as constructive criticism or ignore it completely
is up to me. This change of view, however, was harder to accept when it
concerned my writing.
Writing is my passion. The ability to express myself in
every single one of my characters drives me to discover who I am. It’s a
constant learning process which not only reflects on myself and my life, but
encourages me to make myself a better person while enhancing my writing style
for the better. Since I’ve realized this about myself, I’ve become more
accepting of critiques. Therefore I’ve had to change the above commonly-used
phrase to the following:
Editors are like
assholes, everybody needs one and though you may not like what comes out of it
you’re usually better off using it.
With this in mind, I took the 6 points the editor of Jeremiah Stone sent me and entrusted that
she knew what she was talking about. From those points, I dove into editing Jeremiah Stone. I initially corrected
hundreds of mistakes. And let me tell you I despise editing. Though I felt
rushed, overall the story is better for every change that was made. Since then
I’ve really tried to apply those same points to the next two novels in the
series before I sent them off. Again, both stories are better because of the
changes, though I can see dozens more I need to make.
In the beginning I entered into this publishing adventure expecting
to learn a little but instead I’ve learned a lot. One of the most valuable
lessons so far has been to take my time. Writing doesn’t happen overnight and
neither does editing. It’s a process and like writing the more I do it the
better I get and the less mistakes I make. Still I have to remember that
nobody’s perfect and there is always one more round of editing that can be
done. However, it’s my choice to do it.
The other thing I’ve learned is I can’t please everyone.
Most of the time I can only be satisfied with my own work and even then there’s
someone out there that is bound to say it could be improved in some way. What I
do with that information is up to me, but as least I consider their
perspective. It doesn’t mean I change everything to suit one person, but rather
to suit myself. I’ve learned this through this long arduous process and it’s
served me well so far.
While I was learning all this, I was also starting to get
feedback on Jeremiah Stone. Of all
the feedback I’ve received on my novel, there are overwhelmingly three
comments.
1. The
story is great, though its starts off slow.
2. The sex
scenes are either too graphic or distract from the story.
3. There
are a lot of grammatical errors
As for the first one The
story is great, though its starts off slow I have to both smile and frown.
I say this because I really think the story starts with action and intrigue
while only moving at a more intense pace the deeper a person reads into it.
Lucky the two people who criticized the beginning are family, and around my
household brutal honesty is the norm. After they explained their perspective (neither
of them read this genre) I can see what they mean, though I’m not going to
change the beginning just yet. To the contrary, I’ve added a few more lines to
both the beginning and end to enhance their understanding and hopefully
everyone else’s. Granted, Jeremiah Stone
is already out in print so I can’t just send the edits out, but eventually I’ll
create a 2nd Edition version with all the corrections.
For item number two The
sex scenes are either too graphic or distract from the story I’m not
surprised. I originally wrote the story without the scenes, then added them in,
then pulled them out again only to put them back before sending it off. Since
then it’s been published, yet before I received a single comment on it I’d
already edited the story and pulled them out. Of course the precursors to the
scenes are still there, but the graphic details are gone. Not only does it seem
to read better with them out, but it makes the book appropriate for
young-adults, not they’re completely my target audience. What I need to find is
the happy balance, so it’s still a work-in-progress
It’s also at this point I realized I need two types of
editing for my books, content and grammatical. Most of the time as writers we
just want things to flow right and because it’s our story we feel every scene
is necessary. In the two books I’m editing now, I’m finding out that’s not the
case as whole paragraphs are being ripped out only to discover the story’s
better for it. Of course as I’m doing it I’m seeing hours of work going into the
trashcan, but it’s not just about me. I write so my voice can be heard and
sometimes it means tailoring your work to fit the people. And from everyone
I’ve talked too they want the story to grab them and pull them in quickly. If a
few pages of deletions and some re-writing is what it take to do that, then I’m
game.
The last item concerning grammar
is a problem. After all, this is why we have editors, to fix these things
before they go into print. Though I’m not blaming anyone for the errors in my
book, I have to repeat what I stated in my earlier paragraph (which is how I thought
at the time), we are usually to close to the story to pick out the fine details
like grammatical problems. Even now, I carefully read a paragraph and think
it’s perfect only to look at it a day later and find an error or two. We skim
because we know what it says and only a new set of eyes can identify those
problems, right? WRONG!!! I was wrong to think I’m too close to the story to
find my own errors. For the most part we have the tools to detect most of them
ourselves. Here’s why.
I use three laptops and one desktop computer in my writing
so I’m constantly shuffling files around between them. More importantly,
however, I’m doing most of my work on the oldest of them. In fact, most of my book
edits and communications concerning Jeremiah
Stone were done from it. This is where my problems began. On that laptop I
have MS Word 2000. One my desktop I have MS Word 2003. On my traveling laptop I
have MS Word 2007 while my writing laptop next to my bed has MS Word 2010.
Now I remind you I’m working on four things at once now so while
I’m transferring these files around between computers I discover something. On
the MS Word 2003 computer I did a full grammar check of my next novel and it
checked out clean. I since moved that file to my MS Word 2007 machine and
decided to look at it again. Immediately the program discovered a grammatical
error, so I ran it again for the entire book. To my surprise it found another
100+ errors. Seeing this, I then move the corrected file to my MS Word 2010
laptop. Needless to say it found a couple dozen more issues. Since then I’ve
gone back and done a grammar check on Jeremiah
Stone. And though it’s not atrocious, the MS Word 2010 checker found a good
number of errors which I’ve since corrected.
Now let’s get back to item number three, grammar. Though I’d like to point the
blame at someone else, I realize now I need to point a good portion of it at
myself. I should’ve recognized newer programs have more features, more options,
and improved utilities. Seeing as I’m in the computer industry, I can’t help
but to kick myself for my ignorance of this fact. All I can say is it’s not a
mistake I’ll make twice. It’s also a good reminder to keep all my software up-to-date.
It’s also a reminder that sometimes the simplest of options (a button on a
computer program) is often the one most forgotten and least trusted. As I said
before, it doesn’t catch all the mistakes, but it’s a good place for any writer
or editor to start.
This also means that when I get my next two books back from
the editor (Limbus and Azazel) I’m going to spend a lot more
time going through each and then hide all the changes and run it through a
grammar check one last time. I also plan on printing the ‘final’ copy of the
book and going through it once again because my eye catches items on paper far
more easily than on the computer screen. Yet, even after all this, after all my
checks and edits, after I’ve painstakingly gone over every word with a fine
toothed comb, I still want an editor to tell me what’s wrong because there’s
nothing better than an honest editor.
There’s one last thing I’d like to say. For everyone who’s
picked up Jeremiah Stone and noticed the errors only to complain to me about them,
I’d like to say thanks because it’s spurred me to investigate why and how this
occurred. And in the end I hope my next book will be better crafted for your
reading pleasure.
This was a good post, very insightful!
ReplyDeleteAs far as spell check goes, if I see something in red I change it, but usually I pay no attention to the spell checker on my word program and do the edits manually. Never trust a computer :P